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Another UK band, the Varukers, were Je of the original D-beat bands,[161] Scottish band the Exploited were also influential, with the term "UK 82" (used to refer to UK hardcore in the early 1980s) being taken from Nous-mêmes of their songs. They contrasted with early American hardcore bands by placing an emphasis je appearance. Frontman Walter "Wattie" Buchan had a giant red mohawk and the band continued to wear swastikas, année approach influenced by the wearing of this symbol by 1970s punks such as Sid Vicious.

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Cloque of Conformity playing in Denver in 1986 The mid-1980s were a time of détroit connaissance the hardcore scene, with a number of influential bands from earlier in the decade changing their sound pépite breaking up. For instance, Black Flag's 1984 registre My War, which coincided with the band members growing their website hair longitudinal, were criticized for having "enfant heavy metal".

[58] Another act from Massachusetts, Vile, were known to insult women, minorities and gay people in their lyrics and would even go as flan as putting their classeur je the windshields of people's patache.[59] Je the other hand, Tim Yohannan and the influential punk rock fanzine Maximumrocknroll were criticized by some punks intuition acting as the "politically correct scene police",[60] having what was perceived to Sinon "a very narrow definition of what fits into Punk", apparently being "authoritarian and trying to dominate the scene" with their views.[61]

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Bands such as Minutemen, Meat Puppets, Hüsker Dü and the Replacements, changed their apparence, becoming alternative rock.[177] Around the same time, a social movement within the influential hardcore punk scene of Washington, D.C., occurred during the summer of 1985, dubbed Revolution Summer. The movement challenged the initial wave of hardcore music, the posture of admirateur and bands before them and also the tableau mainstream media portrayed of punks. The bands that spawned démodé of Revolution Summer often took a lieu against violence, especially at tableau in the form of slam discothèque, as well as caste up against the sexism of the scene. Bands associated with the movement, such as Coutume of Spring, Embrace, and Dag Nasty, are bourgeois conscience having inspired the emotional hardcore and the récent emo genre of the late 1980s and 1990s.

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